Saturday, February 26, 2011

The Way We Live by: Danton Remoto


Bang the drum, baby,
let us roll tremors
of sound to wake
the Lord God of motion
sleeping under the skin.

Of choosing what to wear
this Saturday night:
cool, sexy black
or simply fuck-me red?
Should I gel my hair
or let it fall like water?

Of sitting on the sad
and beautiful face of James Dean
while listening to reggae
at Blue Café.

Of chatting with friends
at The Library
while Allan Shimmers
with his sequins and wit.

Of listening to stories at Cine Café:
the first eye-contact,
conversations glowing
in the night,
lips and fingers touching,
groping for each other’s loneliness.

Of driving home
under the flyover’s dark wings
(a blackout once again plunges
the city to darkness)

Summer’s thunder
lighting up the sky
oh heat thick
as desire

Then suddenly the rain:
finally falling,
falling everywhere:
to let go, then,
to let go and to move on,
this is the way it seems
to be. Bang the drum, baby.

Gagamba by F. Sionel Jose

CHARACTERS:
1. The cripple, Tranquilino Penoy – otherwise known as Gagamba (spider) to the denizenz of Ermita – was one of those who survived the collapse of the Camarin building on Marcelo H. Del Pilar Street – the only building in Manila which totally wrecked. He is selling sweepstakes tickets. He looks like a two -legged spider, ball of a head, squat body, and long arms. He was born with short limp limbs no longer than a foot and even now that he was fifty; they were as useless as ever.
2. Didi Gamboa, the first owner of Camarin, would not have permitted Gagamba to be at the entrance for so long, selling sweepstakes tickets. Didi Gamboa is the madam of Camarin, migrated to the United States out of boredom with the lesbian debauchery provided by her establishment; she got her second cousin Fred Villa.
3. Aling Pacing brood of twelve. The vegetable vendor’s dullard husband had died. Aling Pacing is the mother of Gagamba.
4. Fred Villa is interested in the restaurant. He was a most auspicious choice. Not only was he family, he was also Camarin regular and personally knew most of the old clientele. When they learned that he was going to take over, they were relieved and at the same time pleased – they could trust him with their peccadilloes as well as their idiosyncrasies for Fred Villa had one quality they appreciated. He was discreet.
5. Don José Villa the father of Fred Villa.
6. Don Manuel the son of Don José Villa and the brother of Fred Villa
7. Jose Rizal the head waiter who looked like Jose Rizal was the only one in tuxedo.
8. Mars Floro he was the old customer and a good friend of Fred Villa.
9. Lina Reyes was barely eighteen. She came from a middle-class family in Pampanga, where her father was a small town doctor, her mother a schoolteacher. She is the youngest, was well on her way to finishing a nondescript course in the humanities at the state university. She was tall, with a pert nose and a face virginal in appearance. She was five feet six inches, almost as tall as Fred Villa, with such clear ivory skin that he drooled every time she undressed before him. Her breasts were not all that large and her height, thirty-four inches seemed almost small.
10. Namnama- Gagamba’s wife. She was adopted by Aling Pacing because she was an orphan back then. She did not look at the deformity of Gagamba and did not hesitate to marry the cripple.
11. Joe Patalinghug- A 22 year old man. He and his wife traveled from Dalaguete to Manila because of the fear that he will also be killed like his two brothers. Joe’s younger brother was killed; the reason why he and his wife went to Manila, knowing that he would probably be killed. He has a teenage wife whose name was Nancy, who was 6, months pregnant. Because of sudden-environment change and no one helped them; they ended up begging in the streets of Manila.
12. Pedro (Pete) Domingo- also known as Jose Rizal at Camarin. Although he is 50 years old, he is still youthful. He is the easygoing and voluble head waiter in Camarin. After several years of working in Camarin with Madam Gamboa and Sir Fred he already know by heart the favorite order of most of the costumers. He has a wife named Bebang who had a cancer and will die in nearly 2 months.
13. Sixto Carmelo- also known as Mabini, also a waiter of Camarin, a close friend of Rizal. He came from Tayug, Pangasinan and like Rizal, was Ilokano. He has no problems at all but his looks because he was the darkest and in senses the homeliest of the waiters in Camarin but he is the most popular waiter in Camarin because of his quick and honest answers.
14. Jim Denison- Son of Ruth Denison, who would be going to Asia for the first time, specifically to Philippines. But the other reason behind his brilliant mind is actually, he wanted to meet his half sister and the Filipino wife of his father Cresencia Reyes.
15. Emma Denison- Jim Denison’s half sister, daughter of Cresencia Reyes. She was always being protected by Cresencia her mom, specifically her virginity. Emma was always in the list of honored students in his high school and college years. More than of her intelligence, she was also very beautiful that she won the title of Miss Philippines.
16. Hiroki Sato- executive of Mitsui, who liked the Philippines best of all Southeast Asian Countries. He visited annually. He was wary in dealings with the Filipinos in the beginning what attract him most in returning the Philippines is actually the girls which his friend, Mars Floro, is partnering with him. He has one child.
17. Mars Floro- Close friend of Hiroki Sato, who has as well one child like his friend. But what his friend doesn’t know about him is that he has a dozen of children with different women.
18. Eric Hariyan- he is a friend of Gaston Navato when they were taking up law in University of the Philippines. He is a student leader. With his friend, that led those Demos against Marcos regime. When they were released for Marcos got irritated with them and put them in jail, he got a fellowship to Yale. Eric Hariyan is brighter than his companion, was in more modest circumstances. He is parenting six children. He was famous for his intelligence.
19. Gaston Navato- also known as Gasty, he was with his friend in University of the Philippines and in prison. But when they were released he stayed on, took the bar and continued his human rights campaign against the regime. He was middle class. Eric and him remained friends.
20. Rudy Golangco- Marco’s closest crony. He had gone into exile when the dictator was deposed. And now he was out of power and only way he could get back all the wealth that been taken from him was to acquire political clout himself.
21. Eduardo Dantes- is a business man who retired from his active life for he was already old and weak, actually in the age of 80. He had left the management of his publishing empire to his two sons. He always dresses elegantly. In his age he could still walk sprightly, with no need for a nurse the way other ancients move abort a nurse always in tow. He hates Japanese a lot.
22. Senator Reyes- wheeled senator for he is having some medical tests. HE is eighty years old as Eduardo Dantes. He is also retired from his janges life. His vast property were divided among his heirs but was assured a hefty income in his last days from his investments and stocks.
23. Dolf Contreras- was not a regular Camarin costumer. He had a very successful real estate business which he had inherited from his father whom he has paid his grate attention. He is now in his forty. He has a wife whose name was Elisa. But before her, he had a lot of affairs with different women, mutually and sexually.
24. Elisa- Dolf Contreras’s wife. A patient woman who bears all the things that Dolf throws to her. She is working before in Camarin, where Dolf actually met her. Even though her patience was long, she still got fed up with what Dolf was doing to her. She went a far from Dolf and ended up being a nun.
25. Tony Picazo- is a son of an honest politician. He visited his former teacher, Fr.dela Terra. He is a young man who is losing hope for his own country, Philippines. He is planning to migrate to other country and leave his own. He is earning a lot.
26. Fr. Dela Terra- old priest, who is actually considered to be a missionary. He is a Spanish priest who came from China before getting in the Philippines. He lived almost half of his life in the Philippines, to be specific 30 years of his life on earth. And because of this he really doesn’t want to go back to the Seedbed of his life, in Spain. And he believes in the capacity of the young people.
27. Major Solomon (Sol) Flor- Philippine Military Class ’72. He is a senior aide to Major General Calixto (Cal) Primo and general’s confidante, he lives a very simple life compare to his co-majors. Actually just renting an apartment in Cubao. He is living with his wife and children.
28. Colonel Simeon Flores- an elegant and dishonest colonel who is a close friend of his opposite Major Sol. He is tempting and influencing Major Sol to do something which in one click will make him a millionaire.
SETTING:
The story happened on July 15, 1990, Sunday at around one pm, a killer earthquake – the strongest recorded in the Philippine history – struck and for four minutes of apocalyptic turbulence, Central Luzon including Manila was submerged in a wave of panic. Farther to the north of the capital, where the epicenter was recorded as exceeding intensity 8 on the Richter scale, the landscape was changed as mountainsides crumbled and the earth cracked. The story was ended at the Camarin building on Marcelo H. Del Pilar Street – the only building in Manila which totally wrecked.
PLOT
The date of the mid July 1990, the earthquake happened and so many people died in the natural disaster, rich, beggars, old, and all kind of creatures are being suffered because this earthquake is the strongest recorded in the Philippine history. Gagamba a sweepstakes’ vendor located in the Ermita restaurant also known as Camarin. Gagamba is not a beggar nevertheless he had a casualties and defects in his body. He was born with short limb that why he always stays in his cart to move and work to have food every day. All of the costumers are being known by gagamba and their stories, gagamba told the story all costumers og camarin restaurant. The first one is a landlord, Fred Villa.
The big boss of Camarin because madam Didi was migrated in the United States and Fred was being appointed to take charge of the business. His girls are well selected to work in the Camarin, All of the women in the Camarin would be tested first by Fred and one of them is Lina an eighteen year old girl from Pampanga. She was beautiful not taller but in the average height. Her family is in the middle class but her studies not so well supported by family that why she found a job like this.
There are costumer, Mars Floro who waited to her but Fred Villa where tested her first. The next character was a Cebuano; Joe Patalinhug arrived on November in 1989. In the first day in manila they are slept in a culvert intended to the bridge construction site in Tondo Manila. After a month’s they know that there’s a people from Cebu was staying in the squatters area in Paranaque that Joe’s family can live. They life is worst than their life in Cebu before because they have only a little rice and some salted oyster mussel. He live his wife in Tondo and went to Paranaque alone to have a better life and find a job that suits his capacity.
The next character was apparent and a regular costumer of Camarin. He is Pedro (pete) Domingo, he is youthful and still wavy hair in place and lived at the squatter area close to the Rizal Memorial stadium. The place was once swum, and being criticized by other people, Although Rizal and his children lived in squatters surroundings. Rizal had discovered his wife had a cancer, two months to live. His children do not know what to do and Rizal makes all way to cure and extend the life of his wife. He tried so many faith healers one of those was the faith healer of former president Marcos. He tried going to Quipo and completing the nine days on novena and to the Baclaran. He wishes to God his wife would be spared not to death because all men die, but the pain that she was now suffering. Eric hariyan and Gaston was best friend in university of the Philippines.
`While Eric is joining in the Law firm of lastog, Cacab and Rawet. One of the biggest law firms in the county. They are jailed in camp Crame because they oppose to government of President Marcos. They have experienced together nevertheless they have so many differences they were stay as best friend, While Eric invited him to meet Rudy Golangco, perhaps Marco’s closest crony. While Marcos dictatorship change the ownership the majority stock went to Rudy Golangco. Lastog want to meet him because e want to interrogate asked at so many issues before about him. First he research and finding all the information about him and use his knowledge as a lawyer and give so many question hat Rudy cannot be known.
There are com  http://gomezjames.blogspot.com/2009/12/gagamba-by-f-sionil-jose.html

Valediction sa hill crest by Rolando Tinio

Valediction sa hill crest by Rolando Tinio

AMBON,ULAN, BAHA BY: FRANK RIVERA

AMBON ULAN BAHA” is a two-hour ethno-rock modern zarzuela that showcases twenty original musical scores inspired by kundiman, balitaw, ethnic and modern musical trends with choreography based on ethnic, folk/traditional and creative dances

 
An original production of the celebrated Mindanao State University –Sining Kambayoka ( founded by Theater Artist Frank G. Rivera ) in 1978, “ Ambom…” was remounted by Teatro Metropolitano through NCCA Grant in 1992, also at the helm of Rivera.
This long –time running musical which predicted the Ormoc tragedy in 1991, highlights environmental concerns and focuses on the preservation of Philippine forests. It also deals heavily on Filipino values, the importance of education, religion, family and youth. It also carries relevant commentaries on socio-economic and political issues of the times. It aims to educate its audiences especially the youth about issues of urgent and national importance To – date, ARNAI’s “ Ambon, Ulan, Baha” has been sponsored by several organizations and institutions and has seen more than 500 performances. The zarzuela’s success in depicting the Filipino lives after almost three decades after it was first staged, proved its timelessness and its relevance to the evolutions of Philippine Theater.
Its music, inspired by folk/traditional songs like balitaw and kundiman, formerly considered provincial “ bakya “ , and unsophisticated as compared to “mainstream” of legitimate theater, proved to be good venue for improvisation and fusion, thus exploring and experimenting for new forms.
Its dances: a fusion of folk/traditional, modern and creative movements showcase creative interpretation of the play’s songs and scene.

Regla sa Buwan ng Hunyo (R. MabangLo)

Pagbigyan ang pwersang ito:
lakas na umaahon sa sinapupunan,
init na sumusubo, dumadaloy, umiigkas,
kusang lumalaya't lumalayaw
kahit na sinusupil,
dumadanak at bumabakas
hatdan man ng hilahil.

Pagbigyan ang pwersang ito--
ito:
kabuuan ng lahat kong pagkatao,
kabuuan ng kaibhan ko't pagkakatulad
sa lahat ng tao,
kabuuan ng naimpok kong alaala't
ginagastang kasalukuyan
kabuuan ng kinabukasang isinasanla
sa kalendaryo.

Pagbigyan ang pwersang ito--
hayaang magmapa sa talaan
ng utang ko't pautang,
hayaang maglimbag ng sagutin ko't
pananagutan:
sa sarili, sa angkan at sa lipunan:
hayaang magbadya
ng karaingan ko't pangangailangan,
ngayon,
habang nilalason ng maraming kabaro
ang itlog at semilya
at binubulok naman ng iba
sa sansupot na goma
ang bunga ng pag-ibig at pagtatalik.
Ay, anong kilusan, martsa't litanya
upang mapuksa ang sanggol
nang buong laya?
Ilang liblib na klinika, basurahan at
kubeta
ang pag-iimbakan ng kapusuka't sala?
Kahit ang ampunang nagbobodega
ng pananagutang itinatwa
may sumbat ng kalikasang
di matatakasan.

Pagbigyan ang pwersang ito--
ismiran ang humuhugot na kirot,
batahin ang hagupit
habang tinatanggap, tinatanggap
ang katuturang
pumapaso sa pagtigmak.

Ito ang pagtagay sa Hunyo
sa kalis ko--
nobya,
asawa,
kerida,
o kahit ng bayarang tagapagpaligaya:
ito ang testamento, ang kontrata, ang
sumpa:
ito ang saligan,
ang kahulugan at kahungkagan
ng buhay at pag-iral.
Pagbigyan,
ito,
ang agos ng madlang pagsulong--
hininga ng pag-asa
ang namimilapil dito.

Saturday, February 19, 2011

LITERATURE: SHAPING OUR FUTURE

     
          I have always been fascinated by different stories that creates clear images of various scenarios on my mind.  I love hearing fairy tales from my mother imagining that I was the main character when I was just a little kid.  And when I learned how to read, I wanted to do it by myself.  It is indeed enjoyable  and entertaining. Since then..... I met Cinderella and her fairy Godmother ... Learned that the unending love of the prince charming is higher than the tower of Rapunzel ... Noticed that a heartfelt kiss from a loving heart awakens Sleeping Beauty ... encountered how the true love of Beauty freed the Beast from a curse ... And got a chance to play with the seven dwarfs of Snow White.  I also read many more short stories that teaches lessons of life.  Lessons that I keep in mind up to now.

         Short stories and fairy tales are just one of many forms of literature. There are novel, fable, anecdote, biography, legend, essay, folk song, song, epic, sonnet, and riddle.  Literature, in its broadest sense, is everything oral and written. It is an outlet of emotions that the author/writer can not say personally. They just express it through writing.  After all,  a paper is more patient than man.  This artistic writing is made generally to inform, entertain and educate us.  Thus, preparing us and shaping our future.  Good pieces of literature, like any other art, express beautifully the writers' thoughts and feelings that servers as inspiration to the readers/listeners.


           Studying literature can be an eye-opening experience.  Allowing the readers to develop and understand new ideas.  Artistic writing enable us to express ourselves in best ways. We must learn to enjoy and appreciate literature.  Take time to read literary works of art. Let us discover new world :) 

Friday, February 18, 2011

The Anatomy of a Filipino By: Prof. Felix Bautista

All: I like to think that I am a Filipino, that I am as Good, a Filipino as Anyone.
Girls: My heart thrills, when, I Hear, the National anthem, being played.
Boys: And my Blood Rises, when, I see our flag, Fluttering in the breeze.
All: And Yet, I find myself asking, How Filipino Am I, Really?
Boys: My First Name is American.
Girls: My Last Name Is Chinese.
Boys: When I’ am with Girlfriends or more correctly, when, I’ am with my Friends, who happen to be girls 
- I talk to them in English.
Girls: If they are thirsty, I buy them, a Bottle of American coke.
Boys: If they are hungry, I treat them, to an Italian Pizza pie.
All: And when, I have the money, I give them a real Chinese Lauriat. 
Boy (solo): Considering all these, considering my taste, for many things foreign, what right do I have, to call myself, a Filipino?
Girls (solo): Should I not call myself, a culture orphan? The illegitimate child of many races?
All: Rightly or wrongly, whether we like it or not, we are the end products, of our history, fortunately or unfortunately, our history is a co-mingling, of polyglot influences.
Boys: Malayan and Chinese.
Girls: Spanish and British.
Boys: American and Japanese.
All: This is historic fact, we can not ignore, a cultural reality we can not escape, form to believe otherwise is to indulge in fantasy.
Boy (solo): I must confess, I’ am an extremely confused, and Bewildered young man. Wherever I’ am, whatever I may be doing, I’ am Bombarded, on all sides, by people who want, me to search for my national identity.
All: Tell me the Language I speak should be replaced, by Filipino; they urge me to do away with things foreign to act and think, and buy Filipino.
Girl (solo): Even in art, I’ am getting bothered and Bewildered.
All: The Writer should use Filipino, as his medium, the nationalists cry.
Boys: The Painter should use his genius, in portraying themes purely Filipino, they demand.
Girls: The Composer should exploit, endless Possibilities, of the haunting kundiman, they insist.
All: All these sound wonderful. But Rizal used Spanish, when he wrote, Noli and Fili.
Boys: Was he less of a nationalist, because of it? Must the artist, to be truly Filipino, paint with the juice of the duhat?
Girls: And must he draw picture of topless Muslim women or Igorot warriors in G-String?
All: And if the composer, desert, the kundiman, and he writes song faithful to the spirit of the Youths of today, does he become Unfilipino? We are what we are today, because of our History.
Boys: In our veins, pulses blood with traces of Chinese and Spanish and American, but It does not stop, being a Filipino, because of these. 
Girls: Out culture, is tinges with foreign, influences, but it has become rich therely. 
All: This mingling, in fact could speed us on the road, to national greatness, look at America, it is a great country, and yet it is the melting pot of Italian, and German, British, and French, or Irish and Swedish. 
Boy (solo): Filipinism, after all, is in the heart. 
All: If that heart beats faster, because the Philippines is making progress, if it Fills, with compassion because its 
people are suffering, then it belongs to a true Filipino, and it throbs, with pride, in our past, if it pulses with awareness, of the present , if it beats with a faith in the future, then we could ask, for nothing, more all other things are Unimportant.
Boys: I have, an American First Name.
Girls: And I have, a Chinese Last Name.
All: And I’ am proud, very, very proud, - because Underneath these names beats A Filipino Heart…

Wednesday, February 16, 2011

SYLLABUS - INTROTOLIT 001


University of Caloocan City
Gen. San Miguel St., Sangandaan, Caloocan City

Introduction to Literature - LIT001
Course Syllabus

Course Description:
This course exposes the significance of Philippine Literature on the students' chosen field and in our everyday life. A review of its history, and its various highlight eras will feature socio-culturally rich literary works not limited to prose and poetry. Relevant contributions of Filipinos in the modern times will also be presented in this course. Most importantly, it hopes to provide a venue to appreciate Literature as a tool for self-improvement and socio-cultural awareness and responsibility.

At the end of 18 weeks (54) Hours, the students are expected to:
  • Become well-oriented with the highlight history of Literature and its major developmental eras;
  • Examine the relevance of various literary works in shaping our society & culture.
  • Digest valuable messages and learnings of these documents as these relate to their own personal and professional development;
  • Immerse themselves fully in their chosen field to become better learners and responsible practitioners;
  • Effect positive change to others by contributing their commitment to personal and social responsibility.

Requirements:
Individual Outputs:
  • My Reflection Book
  • Evaluative Reports on their Assigned Tasks
  • Progressive Participation in all Literary Circle Discussions

Group Outputs:
  • Collaborative Presentations
  • Online IVLE - Interactive Virtual Learning Experience
  • Online Portal: MAKAKWENTO - The Unofficial Website of IntroToLiterature students of UCC

Topic Outline:
1. History of Literature
2. Forms, Types and Elements of Literature
3. The Various Eras and Regional Uniqueness
4. Literature - Gifts from Our Past
a. Riddles
b. Folk Songs
c. Myths
d. Tales
e. Epics
5. Colonial Influence on Literature
a. Literature Shaping our Future
b. Literature against Civilizations
6. Nation Building and Building Nations thru Literature
a. Evolution and Revolution
7. Literature of Different Generations
a. Carlos Palanca Winning Pieces
b. Famous Filipinos in Literature
8. Modern Filipino Literary Works

References:


TimeLine:
Nov. 15 22
Dec. 6 13 20
Jan. 3 10 17 24 31
Feb. 7 14 21 28
Mar. 7 14 21 28
Apr. 4 11

MidTerms: Jan. 31
FinalExams: Apr. 4 or 11

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